Bibliography - Wiley Online Library

Loading...

Bibliography ‘A Collection of 33 maiolica ware painted floor-tiles, from the audience chamber of thePalazzo Petrucci at Siena – Executed in the year 1513,’ in J. C. Robinson, Catalogue of the Circulating Collection of Works of Art: Selected from the Museum at South Kensington: Intended for Temporary Exhibitions in Provincial Schools of Art (London: printed by George E. Eyre & William Spottiswoode from HMSO, 1860). A Guide to the Art Collections of the South Kensington Museum illustrated with Plans and Wood Engravings (London: Spottiswoode & Co., 1879). A Guide to the South Kensington Museum illustrated with Ground Plans and Wood Engravings (London: Spottiswoode & Co., 1868). A Guide to the South Kensington Museum illustrated with Ground Plans and Wood Engravings (London: Spottiswoode & Co., c. 1890). ‘A Knife with a “Benedictio Mensae” on it’, The Antiquary, 61 (January 1895), 21–2. ‘Accessoires de table. Couteau de réfectoire’, L’Art pour tous, 12 (1873), 1228. Adams, Reginald H., The College Graces of Oxford and Cambridge (Oxford: Perpetua, 1992). Ainaud de Lasarte, Juan, ‘Cerámica y vidrio’, Ars Hispaniae, Vol. X (Madrid: Plus Ultra, 1952). Ajmar, Marta, ‘Talking Pots: Strategies for Producing Novelty and the Consumption of Painted Pottery in Renaissance Italy’, in Marcello Fantoni, Louisa C. Matthew, and Sara F. Matthews-Grieco (eds.), The Art Market in Italy, 15th–17th Centuries (Modena: F. C. Pannini, 2003), 55–64. Ajmar-Wollheim, Marta and Dennis, Flora (eds.), At Home in Renaissance Italy (London: V&A Publications, 2006). Albala, Ken, The Banquet: Dining in the Great Courts of Late-Renaissance Europe (Urbana: University of Illinois Press, 2007). Alberici, Clelia, Capolavori di arte decorativa nel Castello Sforzesco (Milan: Banca Popolare, 1975). Alberici, Clelia, Il mobile Veneto (Milan: Electa, 1980). Amme, Jochen, Historisches Essbesteck (Hamburg: s.n., 1991). Amme, Jochen, Bestecke. Die Egloffstein’sche Sammlung (15–18 Jahrhundert) auf der Wartburg (Stuttgart: Arnoldsche, 1994). Amme, Jochen, Historische Bestecke: Formenwandel’ von der Altsteinzeit bis zur Moderne (Stuttgart: Arnoldsche, 2002). Amme, Jochen, Historische Bestecke II. Supplement zu Amme 2002 (Stuttgart: Arnoldsche, 2007). Re-thinking Renaissance Objects, First Edition. Edited by Peta Motture and Michelle O’Malley. Chapters © 2011 The Authors. Book compilation © 2011 Renaissance Studies/Blackwell Publising Ltd. Published 2011 by Blackwell Publising Ltd.

186

Bibliography

Angeles, de los Pérez Samper María, ‘La Comida Escrita en la España del Siglo de Oro’, Food & History, 2.1 (2004), 85–136, 125. Angelini, Alessandro, ‘Renaissance Art in Siena: Patrons, Artists and Workshops’, in Luke Syson et al., Renaissance Siena Art for a City (London: National Gallery Company, 2007), 38. Appadurai, Arjun (ed.), The Social Life of Things: Commodities in Cultural Perspective (Cambridge: Cambridge University Press, 1986). Arcangeli, Alessandro, ‘Dance under Trial: the Moral Debate 1200–1600’, Dance Research. The Journal of the Society for Dance Research, 12 (1994), 127– 155. Askins, Arthur L.-F., Schaffer, Martha E. and Scharrer, Harvey L., ‘New Set of Cartas de Itália to Afonso V of Portugal from Lopo de Almeida and Luís Gonçalves Malafaia’, Romance Philology 57 (Fall 2003), 71–88. Avril, François and Reynaud, Nicole, Les Manuscrits à peintures en France 1440– 1520 (Paris: Bibliothèque Nationale, 1993). Baczkowski, Krzystof, ‘Kallimachs Stelle in der Kulturgeschichte Polens’, Pirckheimer Jahrbuch für Renaissance und Humanismusforschung, 12, Der polnische Humanismus und die europäischen Sodalitäten (Weisbaden: Harrassowitz, 1997), 73–90. Badino, Grazia, ‘San Niccolò Oltrano 1420 circa: note sulla chiesa dei Quaratesi e di Gentile’, in Marco Ciatti and Cecilia Frosinini (eds.), Il Gentile risorto. Il ‘Polittico dell’Intercessione’ di Gentile da Fabriano: Studi e restauro (Florence: Edifir, 2006), 45–54. Badino, Grazia, ‘Per una storia della sagrestia’, in Mirella Branca (ed.), La sagrestia di San Niccolò Oltrarno restaurata (Livorno: Sillabe, 2008), 31–8. Baer, Eva, Islamic Ornament (Edinburgh: Edinburgh University Press, 1998). Bailey, C. T. P., Knives and Forks (London: The Medici Society, 1927). Baker, Malcolm and Richardson, Brenda (eds.), A Grand Design – The Art of the Victoria and Albert Museum (Baltimore, MD: Abrams/Baltimore Museum of Art, 1997). Baldi, Renato, Lisini, Giovan Gualberto, Martelli, Carlo and Martelli, Stefania, La cornice fiorentina e senese: storia e tecniche di restauro (Florence: Alinea, 1992). Baldini, Nicoletta, ‘In the Shadow of Lorenzo the Magnificent. The Role of Lorenzo and Giovanni di Pierfrancesco de’ Medici’, in Mina Gregori (ed.), In the Light of Apollo (Athens: Silvana, 2003), 277. Bancroft, Jessie H., Games (New York: Macmillan, 1937). Barber, Richard and Barker, Juliet, Tournaments: Jousts, Chivalry and Regents in the Middle Ages (Woodbridge: Boydell, 1989). Barnet, Peter (ed.), Images in Ivory: Precious Objects of the Gothic Age (Princeton, NJ: Princeton University Press, 1997). Barrau-Dihigo, L., ‘Voyage de Barthélemy Joly en Espagne (1603–1604)’, Revue Hispanique, 20 (1909), 459–618. Bartoli, Roberta, Biagio d’Antonio (Milan: Federico Motta, 1999).

Bibliography

187

Basch, Martín Almagro and Llubiá Munné, Luis María, La cerámica de Teruel (Teruel: Instituto de Estudios Turolenses, 1962). Baskins, Cristelle L., ‘Jacopo del Sellaio’s “Pietà” in S. Frediano’, The Burlington Magazine, vol. 131, no. 1036 (July 1989), 474–9. Battisti, Eugenio, Filippo Brunelleschi (Milan: Electa, 2002). Bauer, Stefan, The Censorship and Fortuna of Platina’s Lives of the Popes in the Sixteenth Century (Turnhout: Brepols, 2006). Baxandall, Michael, The Limewood Sculptors of Renaissance Germany (New Haven and London: Yale University Press, 1980). Bayer, Andrea (ed.), Art and Love in Renaissance Italy (New York; New Haven and London: Metropolitan Museum; Yale University Press, 2008). Beard, C. R., ‘Wedding Knives’, Connoisseur, 85 (1930), 91–7. Benker, Gertrud, Alte Bestecke. Ein Beitrang zur Geschichte der Tischkultur (Munich: Callwey, 1978). Berthelot, M. et al. (eds.), La grande encyclopedie. Inventaire raisonné des sciences, des lettres et des arts, 32 vols. (Paris: Larousse, 1885–1902). Binski, Paul, ‘What was the Westminster Retable?’, Journal of the British Archaeological Association, 140 (1987), 152–74. Binski, Paul, Westminster Abbey and the Plantagenets: Kingship and the Representation of Power 1200–1400 (New Haven and London: Yale University Press, 1995). Binski, Paul, The Westminster Retable: England’s Oldest Altarpiece (London: The National Gallery, 2005). Blair, Claude, Arms, Armour and Base-Metalwork: The James A. de Rothschild Collection at Waddesdon Manor (Fribourg: Office du Livre, 1974). Blake, Brenda C., Egg Cups: An Illustrated History and Price Guide (Marietta, Ohio: Glass Press, 1995). Blondel, Spire, L’art intime et le goût en France (Paris: C. Marpon et E. Flammarion, 1884). Boggiali, Giuliano, La posata: storia ed aneddoti dalle origini ai tempi nostri (Milan: Milla Editrice, 1987). Bohn, Henry G., A Guide to the Knowledge of Pottery, Porcelain and Other Objects of Vertu. Comprising an Illustrated Catalogue of the Bernal Collection of Works of Art, with the Prices at Which They Were Sold by Auction, and the Names of the Present Possessors (London: H. G. Bohn, 1857). Bonython, Elizabeth, ‘South Kensington: The French Connection’, RSA Journal, September 1989, 657–60. Borde, Andrew, The Fyrst Boke of the Introduction of Knowledge (London: William Copland, ?1550). Borsi, Stefano, Quinterio, Francesco and Vasic Vatovec, Corinna, Maestri fiorentini nei cantieri romani del quattrocento (Rome: Officina, 1989). Borsook, Eve and Offerhaus, J., Francesco Sassetti and Ghirlandaio at Santa Trinità, Florence (Doornspijk: Davaco, 1981).

188

Bibliography

Bottoro, Anna Dagnino, and Terminiello, Giovanna Rotondi (eds.), Sisto IV e Giulio II mecanti e promotori di cultura (Savona: Coop Tipograf, 1989). Bouvet, Sébastien, ‘Les couteaux de bénédicité conservés au Musée national de la Renaissance’, Musique–Images–Instruments, 5 (2003), 138–47. Bradley, Ian, The Penguin Book of Carols (London: Penguin, 1999). Brainard, Ingrid, ‘An Exotic Court Dance and Dance Spectacle of the Renaissance: “La moresca” ’, in D. Hertz and B. C. Wade (eds.), Report of the Twelfth Congress, International Musicological Society, Berkeley 1977 (Kassel: Bärenreiter, 1981). Brainard, Ingrid, ‘The Moresca’, in S. J. Cohen (ed.), International Encyclopedia of Dance, 6 vols. (Oxford: Oxford University Press, 1998), Vol. 4, 460– 63. Branca, Mirella, ‘Le opere d’arte in sagrestia e alcune considerazioni sull’affresco della Madonna della cintola a restauro concluso’, in Mirella Branca (ed.), La sagrestia di San Niccolò, Oltramo restaurata (Livorno: Sillabe, 2008), 13–22. Brears, Peter, Cooking and Dining in Medieval England (Totnes: Prospect Books, 2008). Brockhaus, Heinrich, Forschungen über Florentiner Kunstwerke (Leipzig: F. A. Brockhaus, 1902). Brown, Alison, Bartolomeo Scala, 1430–1497, Chancellor of Florence (Princeton, NJ: Princeton University Press, 1979). Brown, Alison, ‘Scala Platina and Lorenzo de’ Medici in 1474’, in Supplementum Festiuum: Studies in Honour of Paul Oskar Kristeller (Binghamton, NY: Medieval and Renaissance Texts and Studies, 1987), 328. Brown, Godfrey, This Old House: A Domestic Biography. Living Conservation at Betley Court (Betley: Betley Court Gallery, 1987). Brown, Peter (ed.), British Cutlery: An Illustrated History of Design, Evolution and Use, exh. cat. (London: Philip Wilson, 2001). Bullard, Melissa, ‘Heroes and their Workshops: Medici Patronage and the Problem of Shared Agency’, Journal of Medieval and Renaissance Studies, 24 (1994): 179–98. Bulletin of the Pennsylvania Museum, ‘Special Renaissance Number: The Edmond Foulc Collection’, 25 (1930). Burke, Jill, Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence (University Park, PA: Pennsylvania State University Press, 2004). Burns, Howard, in collaboration with Lynda Fairburn and Bruce Boucher, Andrea Palladio 1508–1580: The Portico and the Farmyard, exh. cat. (London: The Arts Council of Great Britain, 1975). Burton, Anthony, Vision & Accident: The Story of the Victoria & Albert Museum (London: V&A, 1999). Butterfield, Andrew, ‘Verrocchio’s “Christ and St Thomas”: chronology, iconography and political context’, The Burlington Magazine vol. 124, no. 1069 (April 1992), 225–33.

Bibliography

189

Cadogan, Jean K., Domenico Ghirlandaio: Artist and Artisan (New Haven and London: Yale, 2000). Camille, Michael, The Medieval Art of Love: Objects and Subjects of Desire (New York: Abrams, 1998). Campana, Augusto and Paola Medioli Masotti, Bartolomeo Sacchi, Il Platina (Padua: Antenore, 1986). Campbell, Marian, ‘Bishop Fox’s Salt’, in Clive Ellory, Helen Clifford and Foster Rogers (eds.), Corpus Silver: Patronage and Plate at Corpus Christi College Oxford: A Collection of Essays (Barton-under-Needwood and Oxford: Needwood Press, 1999), 129–73. Campbell, Marian, Medieval Jewellery in Europe 1100–1500 (London: V&A Publishing, 2009). Capretti, Elena, ‘La cappella e l’altare: evoluzione di un rapporto’, in Cristina Acidini Luchinat (ed.), La chiesa e il convento di Santo Spirito a Firenze (Florence: Cassa di Risparmio di Firenze, 1996), 229–38. Carboni, Stefano, Venice and the Islamic World, 828–1797 (New York: The Metropolitan Museum of Art; New Haven and London: Yale University Press, 2007). Carl, Doris, Benedetto da Maiano: A Florentine Sculptor on the Threshold of the High Renaissance, 2 vols. (Turnhout: Brepols, 2006). Castelli, Patrizia, ‘Il moto “aristotelico” e la “licita scientia”. Guglielmo Ebreo e la speculazione sulla danza nel XV secolo’, in Patrizia Castelli, Maurizio Mingardi and Maurizio Padovan (eds.), Mesura et arte del danzare. Guglielmo Ebreo dda Pesaro e la danza nelle corti italiane (Pesaro: Gaultieri, 1987), 41–3. Castiglione, Baldassare, Il libro del cortegiano (Padua: G. Comino, 1766). Castil-Blaze, Molière musicien, 2 vols. (Paris: Castile-Blaze, 1852). Catalogue des objets d’art et de haute curiosité: antiques, du Moyen-Age et de la Renaissance composant l’importante et précieuse Collection Spitzer (Paris: L’Imprimerie de l’art, 1893). Catalogue des objets d’art et de haute curiosité composant la Collection Bourgeois Frères (Cologne: J. M. Heberle, 1904). Cavazzini, Laura, ‘Dipinti e sculture nelle chiese dell’Ospedale’, in Lucia Sandri (ed.), Gli Innocenti e Firenze nei secoli: un’ospedale, un’archivio, una città (Florence: Spes, 1996), 113–14. Cavazzini, Laura, ‘Un documento ritrovato e qualche osservazione sul percorso di Piero di Cosimo’, Prospettiva, 87/88 (1997), 125–32. Cecchi, Alessandro, Botticelli (Milan: Motta, 2005). Cervio, Vincenzo, Il trinciante (Venice: Heredi di F. Tramezini, 1581). Chambers, David S., ‘Il Platina e il Cardinale Francesco Gonzaga’, in Augusto Campana and Paola Medioli Masotti, Bartolomeo Sacchi, il Platina (Padua: Antenore, 1986), 9–18. Chambers, David S., A Renaissance Cardinal and His Worldly Goods: The Will and Inventory of Francesco Gonzaga (1444–1483) (London: Warburg Institute, 1992), 25–6, 48–9, 88.

190

Bibliography

Chambers, Edmund K., The Medieval Stage, 2 vols. (Oxford: The Clarendon Press, 1903), Vol. 1. Chaudonneret, Marie-Claude, Fleury Richard et Pierre Révoil. La peinture troubadour (Paris: Athena, 1980). Cherry, Peter, Arte y naturaleza: El bodegón español en el Siglo de Oro (Aranjuez: Doce Calles, 1999). Chiappini di Sorio, I., Stanze veneziane: Palazzi esclusivi e dimore segrete di Venezia (Vicenza: Balto, 1999). Chiarelli, Caterina and Leoncini, Giovanni (eds.), La Certosa del Galluzzo a Firenze (Milan: Electa, 1982). Chopin, Danielle Gaborit, Ivoires medievaux au Louvre, Ve–XVe siècle (Paris, 2003). Christiansen, Keith, ‘Botticelli’s Portrait of a Young Man with a Trecento Medallion’, Burlington Magazine, vol. 129, no. 1017 (November 1987), p. 744. Christie’s Catalogue of the celebrated collection of works of art . . . of that distinguished collector, Ralph Bernal, Esq., deceased. 1855 March 5–29, Apr.17–30. Clarke, Paula C., The Soderini and the Medici: Power and Patronage in Fifteenthcentury Florence (Oxford: Clarendon Press, 1991). Coffin, Sarah D., Lupton, Ellen and Goldstein, Darra et al. (eds.), Feeding Desire: Design and the Tools of the Table 1500–2005, exh. cat. (New York: Assouline, 2006). Collection Bourgeois Frères. Versteigerung zu Köln den 19. bis 29 Oktober 1904 durch J. M. Heberle (H. Lempertz’ Söhne). Verzeichnis der erzielten Preise (Cologne: DuMont Schauberg, 1904). Concina, Ennio, A History of Venetian Architecture, trans. Judith Landry (Cambridge: Cambridge University Press, 1998). Concina, E., Venezia e Istanbul: incontri, confronti e scambi (Udine: Forum, 2006). Cooper, Tracey E., ‘Mecanatismo or Clientelismo? The Character of Renaissance Patronage’, in David G. Wilkins and Rebecca L. Wilkins (eds.), The Search for a Patron in the Middle Ages and the Renaissance (Lewiston NY, Queenstown, Ontario: Edwin Mellon Press, 1996). Cornini, Guido, ‘ “Dominico Thomasii florentino pro pictura bibliothecae quam inchoavit”: il contributo di Domenico e Davide Ghirlandaio nella Biblioteca di Sisto IV’, in Fabio Benzi (ed.), Sisto IV: Le arti a Roma nel primo rinascimento (Rome: Associazione Culturale Shakespeare and Company 2, 2000). Cotgrave, Randle, A Dictionarie of the French and English Tongues (London: Adam Islip, 1611). Coulton, George Gordon, Life in theMiddle Ages, 4 vols. (1910: repr. Cambridge: Cambridge University Press, 1954), Vol. 3. Courajod, L., La collection Révoil du Musée du Louvre (Paris and Caen: H. Champion and Henri Delesques, 1886).

Bibliography

191

Coutts, Howard, The Art of Ceramics: European Ceramic Design, 1500–1830 (New Haven and London: Yale University Press, 2001). Covi, Dario, ‘A Documented Tondo for Botticelli’, in M. Grazia Ciardi Dupre Dal Poggetto and Paolo Dal Poggetto (eds.), Scritti di stori dell’arte in onore di Ugo di Procacci (Milan, 1977). Crane, Frederick, Materials for the Study of the Fifteenth-Century Basse Dance (New York: Institute of Medieval Music, 1968). Crescenzio, B., Nautica Mediterranea (Rome, 1607). Cruz Valdovinos, José Manuel, ‘Plata de vajilla: talleres castellanos’, Archivo Español de Arte, 52 (1979), 145–68. Cummins, John G., The Hound and the Hawk: The Art of Medieval Hunting (New York: St Martin’s Press, 1988). Curnow, Celia, Italian Maiolica in the National Museums of Scotland (Edinburgh: National Museums of Scotland Information Series No. 5, 1992). Curran, Brian, The Egyptian Renaissance: The Afterlife of Ancient Egypt in Early Modern Italy (Chicago and London: University of Chicago Press, 2007). Cussy, de Vicomte, ‘Rapport sur deux excursions artistiques’, Bulletin Monumental (Paris : Société française d’archéologie, Musée des Monuments Français), tome 20, 1854, 354–89. d’Almeida, Lopo, Cartas de Itália, ed. R. Lapa, Textos de Literatura Portuguesa III (Lisbon: Imprensa Nacional, 1935). D’Ancona, Alessandro, Origini del teatro italiano, 2 vols. (Turin: Le Monnier, 1891), Vol. 2. D’Ancona, Mirella Levi, The Garden of the Renaissance: Botanical Symbolism in Italian Painting (Florence: Olschki, 1977). d’Ortigue, Joseph, Dictionnaire liturgique, historique et théorique de plain-chant et de musique d’église au Moyen Age et dans le temps modernes (Paris: J.-P. Migne, 1853). Dacos, Nicole, La Découverture de la Domus Aurea et La Formation Des Grotesques a la Renaissance (London: The Warburg Institute, 1969). Dallari, Umberto, Motti araldici editi di famiglie italiane (1918; repr. Bologna: Forni, 1965 and 1984). Davies, Glyn, and Kennedy, Kirstin, Medieval & Renaissance Art: People and Possessions (London: V&A Publishing, 2009). Davies, Helen, ‘John Charles Robinson’s Work at the South Kensington Museum, Part II. From 1863 to 1867: Consolidation and Conflict’, Journal of the History of Collections, 11 (1999), 95–115. Davies, Mark, Corpus del español (100 millones de palabras, siglo XIII – siglo XX) (2002–). Available at: http://www.corpusdelespanol.org (accessed August 2009). Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, 2nd edn. (revised) (London: Publications Department, The National Gallery, 1961). Davies, Paul and Hemsoll, David, ‘Renaissance Balusters and the Antique’, Architectural History, 26 (1983), 1–23, 117–22.

192

Bibliography

De Grassi, M., ‘Per l’ordine singolare di architettura: dimore Gradenigo tra Venezia e la terraferma’, in S. Marcon and M. Zorzi, Venezia, Grado, I Gradenigo (Mariano del Friuli: Edizioni della Laguna, 2001), 278. De Riaz, Yvan A., Le livre des couteaux (Lausanne: Denoël, 1978). Dectot, Xavier, Makariou, Sophie, and Miroudot, Delphine, Reflets d’or: D’Orient en Occident: La céramique lustreé, IXe–XVe siècle, Musée National du Moyen Âge-Thermes et Hôtel de Cluny (Paris: Réunion de Musées Nationaux, 2008). Diehl, Robert, Frankfurt am Main im Spiegel alter Reisebeschreibungen vom 15. bis zum 19. Jahrhundert (Würzburg: Weidlich, 1939). Dixon, Henry Lancelot, ‘Saying Grace’ Historically Considered and Numerous Forms of Grace Taken from Ancient and Modern Sources (Oxford and London: James Parker and Company, 1903). Douglas, Mary and Isherwood, Baron, The World of Goods: Towards an Anthropology of Consumption (London: Routledge, 1996). Duby, Georges, Love and Marriage in the Middle Ages (Cambridge: Polity, 1994). Eckstein, Nicholas A., The District of the Green Dragon (Florence: Olschi, 1995). Edgerton, Samuel Y., Pictures and Punishment: Art and Criminal Prosecution during the Florentine Renaissance (Ithaca, NY: Cornell University Press, 1985). Eikelmann, Renate (ed.), Conrat Meit: Bildhauer der Renaissance, exh. cat. (Munich: Bayerisches Nationalmuseum, 2006). Eisenbickler, Konrad, ‘Lorenzo de’ Medici and the Confraternity of the Blacks’, Fedes et historia, xxv (1994): 85–98. El Arte de la Plata y de las Joyas en la España de Carlos V, exh. cat. (A Coruña: Sociedad Estatal para la Conmemoración de los Centenarios de Felipe II y Carlos V, 2000). Elam, Caroline, ‘Art and Diplomacy in Renaissance Florence’, Royal Society of Art Journal, 136 (1988), 814–17. Elwart, A., Histoire de la Société des concerts du conservatoire Impérial de musique (Paris: Librairie Castel, 1860). Endrei, Walter and Zolnay, László, Fun and Games in Old Europe (Budapest: Corvina, 1986). Eser, Thomas and Daucher, Hans, Augsburger Kleinplastik der Renaissance (München/Berlin: Deutscher Kunstverlag, 1996). Et coquatur ponendo. Cultura della cucina e della tavola in Europa tra medioevo ed età moderna (Prato: Istituto internazionale di storia economica ‘Francesco Datini’, 1996). Ettlinger, L. D., ‘Pollaiuolo’s Tomb of Pope Sixtus IV’, Journal of the Warburg and Courtauld Institutes, 16 (1953), 269. Evitascandolo, Cesare, Dialogo del Maestro di casa (Rome: Giorgio Martinelli, 1598). Faccioli, Emilio (ed.), Mantova: Le lettere (Mantua: Istituto Carlo d’Arco, 1962).

Bibliography

193

Fajt, Jiri, ‘War Veit Stoss der Erste? – Zur Rezeption oberrheinischer Kunst im Krakau des 15. Jahrhunderts’, in Jiri Fajt and Markus Hösch (eds.), Künstlerische Wechselwirkungen in Mitteleuropa (Ostfildern: Studia Jagellonica Lipsiensia, 2006), Vol. 1, 289–324. Falkenburg, Reindert, The Fruit of Devotion: Mysticism and the Imagery of Love in Flemish Paintings of the Virgin and Child, 1450–1550 (Amsterdam and Philadelphia: John Benjamins, 1994). Fenlon, Iain, The Ceremonial City: History, Memory and Myth in Renaissance Venice (New Haven and London: Yale University Press, 2007). Fermor, Sharon, ‘Decorum in Figural Movement: the Dance as Measure and Metaphor’, in Francis Ames-Lewis and Anka Bednarek (eds.), Decorum in Renaissance Narrative Art (London: Birkbeck College, 1992), 78–88. Fermor, S., ‘Botticelli and the Medici’, in Francis Ames-Lewis (ed.), The Early Medici and their Artists (London: Birkbeck College, 1995), 169–85. Fernández, Alejandro, Munoa, Rafael and Rabasco, Jorge, Enciclopedia de la plata española y virreinal americana (Madrid: The authors, 1984). Fischel, Oskar, ‘Die Zeichnungen der Umbrer. Teil II’, Jahrbuch der Königlich Preuszischen Kunstsammlungen, 38, Beiheft (1917), 34–5. Flandrin, Jean-Louis and Montanari, Massimo (eds.), Food: A Culinary History from Antiquity to the Present (English edition by Albert Sonnenfeld) (New York: Columbia University Press, 1999). Fontana, G., I Palazzi di Venezia (Venice: Stabilimento tipografico di P. Naratovich, 1865a). Fontana, Gianjacopo, Cento palazzi fra i più celebri di Venezia: sul Canalgrande e nelle vie interne dei sestieri: descritti quali monumenti d’arte e di storia / dal nob (Venice: Gianjacopo Fontana, 1865b). Formigli, Giuseppe, Guida per la Città di Firenze e suoi contorni. Nuova edizione corretta ad accresciuta (Florence: Fratelli Carini and Giuseppe Formigli, 1861). Forrest, John, The History of Morris Dancing, 1458–1750 (Cambridge: James Clarke, 1999). Fortini Brown, Patricia, Private Lives in Renaissance Venice (New Haven and London, CT: Yale University Press, 2004). Fradenburg, Louise O., City, Marriage, Tournament: Arts of Rule in Late Medieval Scotland (Madison: University of Wisconsin Press, 1991). Franco, Giacomo, Habiti d’huomeni et donne venetiane (Venice, 1610). Frank, Isabelle, Melozzo da Forlì and the Rome of Pope Sixtus IV (1471–1484) (PhD thesis: Harvard University, 1991). Franzoi, Umberto, Pignatti, Teresio and Wolters, Wolfgang, Il Palazzo Ducale di Venezia (Treviso: Edizioni Canova, 1990). Freedman, Paul H., Out of the East: Spices and the Medieval Imagination (New Haven and London: Yale University Press, 2008). Fritz, Rolf, Die Gefäße aus Kokonuß in Mitteleuropa, 1250–1800 (Mainz: Philipp von Zabern, 1983).

194

Bibliography

Gaborit-Chopin, Danielle, Ivoires medievaux au Louvre, Ve-XVe sieclé (Paris: Éditions de la Réunion des musées nationaux, 2003). Gabrielli, Edith, Cosimo Rosselli, catalogo regionato (Turin: Allemandi, 2007). Gaimster, David and Verhaeghe, Frans, ‘Handles with Face-Masks: a CrossChannel Type of Late-Medieval Highly Decorated Basin’, in David Gaimster and Mark Redknap (eds.), Everyday and Exotic Pottery from Europe, c.6501900: Studies in Honour of John G. Hurst (Oxford: Oxbow Books, 1992), 303–23. Garibaldi, Vittoria and Mancini, Francesco Federico, Pintoricchio (Milan: Silvana Editoriale, 2008). Gatti, Isadora Liberale, ‘ “Singularis eius inaudita doctrina”: la formazione intellettuale e francescana di Sisto IV e suoi rapporti con gli ambiente culturali’, in Fabio Benzi (ed.), Sisto IV: Le arti a Roma nel primo rinascimento (Rome: Associazione Culturale Shakespeare and Company 2, 2000). Geisberg, Max, Verzeichnis der Kupferstiche Israhels van Meckenem (Strassburg: Heitz, 1905). Gell, Alfred, Art and Agency (Oxford: Oxford University Press, 1998). Gelli, Iacopo, Motti, divise, imprese di famiglie e di personaggi italiani (Milan: Hoepli, 1916). Geronimus, Dennis, Piero di Cosimo: Visions Beautiful and Strange (New Haven and London: Yale University Press, 2006). Gibson, Walter S., Hieronymus Bosch (London: Thames and Hudson, 1973). Giegher, Mattia, Li tre trattati (Padua: Paolo Frambotto, 1639). Giormani, V., ‘I peatoni, fratelli minori del Bucintoro’, Archivio Veneto, CXXXVI (2001), 289–305. Glanville, Philippa, ‘Tudor Drinking Vessels’, The Burlington Magazine, [Special Supplement]127 (September 1985), 19–22. Glanville, Philippa, Silver in Tudor and Early Stuart England: A Social History and Catalogue of the National Collection 1480–1660 (London: Victoria and Albert Museum, 1990). Goldthwaite, Richard A., ‘The Empire of Things: Consumer Demand in Renaissance Italy’, in F. W. Kent and P. Simons (eds.), Patronage, Art and Society in Renaissance Italy (Oxford: Clarendon Press, 1987). Goldthwaite, Richard, ‘The Economic and Social World of Italian Renaissance Maiolica’, Renaissance Quarterly, 42 (1989), 1–32. Goldthwaite, Richard A., Wealth and the Demand for Art in Italy, 1300–1600 (Baltimore, MD: The Johns Hopkins University Press, 1993). Gombrich, E. H., ‘The Early Medici as Patrons of Art’, in E. F. Jacobs (ed.), Italian Renaissance Studies: A Tribute to the Late Cecilia M. Ady (London: Faber & Faber, 1960), 279–311. Graves, Alun, Tiles and Tilework in Europe (London: V&A Publications, 2002). Grevembroch, G., Gli abiti de veneziani di quasi ogni età con diligenza raccolti, e dipinti nel secolo XVIII, IV (Venice: Filippi Editore, 1981).

Bibliography

195

Grieco, Allen, ‘Food and Social Classes in Late Medieval and Renaissance Italy’, in Jean-Louis Flandrin and Massimo Montanari (eds.), Food: A Culinary History from Antiquity to the Present (New York: Chichester, 1999), 302– 12. Gropp, David, Das Ulmer Chorgestühl und Jörg Syrlin der Ältere (Berlin: Deutscher Verlag für Kunstwissenschaft, 1999). Guenebault, L.-J., Dictionnaire iconographique des monuments de l’antiquité chrétienne et du moyen âge, 2 vols. (Paris, 1843). Guerrini, Roberto (ed.) in collaboration with Max Seidel, Sotto il duomo di Siena (Milan: Silvano Editoriale, 2003). Guilmartin, John F., Gunpowder and Galleys (London and New York: Cambridge University Press, 1974). Gullino, G., ‘Una famiglia nella storia’, in S. Marcon and M. Zorzi, Venezia, Grado, I Gradenigo (Mariano del Friuli: Edizioni della Laguna, 2001), 149. Hackenbroch, Yvonne, Bronzes, Other Metalwork and Sculpture in the Irwin Untermyer Collection (New York: Metropolitan Museum of Art, 1962). Hackenbroch, Yvonne, English and Other Silver in the Irwin Untermyer Collection (New York: Metropolitan Museum of Art, 1969). Haedeke, Hans-Ulrich, ‘Historisches Essbestecke’, Die Weltkunst, 21 (1991), 3282. Hall, Marcia B., Renovation and Counter-Reformation: Vasari and Duke Cosimo in Sta Maria Novella and Sta Croce, 1565–1577 (Oxford: Clarendon Press, 1979). Halm, Philip Maria, Erasmus Grasser (Augsburg: Filser, 1928). Hartop, Christopher, ‘New Light on Spanish Seventeenth-Century Silver’, The Silver Society Journal, 1 (1990), 5–12. Hatfield, Rab, Botticelli’s Uffizi Adoration: A Study in Pictorial Content (Princeton, NJ: Princeton University Press, 1976). Hatfield, Rab (ed.), Sandro Botticelli and Herbert Horne (Syracuse, NY: Syracuse University Press, 2009). Haupt, Herbert and Bauer, Rotraud, ‘Die Kunstkammer Rudolfs II. in Prag. Ein Inventar aus den Jahren 1607–1611’, Jahrbuch der kunsthistorischen Sammlungen in Wien, 72 (1976), 99, n. 1863. Hauschke, Sven, ‘Das Grabdenkmal des Filippo Buonacorsi, gen. Callimachus, von Veit Stoss und der Vischer-Werkstatt: Beziehungen zwischen Nürnberg, Krakau und Italien’, in Malgorzata Omilanowska (ed.), Wanderungen: Künstler- Kunstwerk- Motiv-Stifter (Warsaw: Wspólne dziedzictwo, 2005), 15–26. Hauschke, Sven, Die Grabdenkmäler der Nürnberger Vischerwerkstatt 1453–1544 (St Petersburg: Imhof, 2006). Havard, Henry, Dictionnaire de l’ameublement et de la décoration depuis le XIIIe siècle jusqu’a nos jours, 4 vols. (Paris: Maison Quantin, 1887–90). Hayward, Maria, The 1542 Inventory of Whitehall: The Palace and its Keeper, 2 vols. (London: Illuminata, 2004), Vol. II.

196

Bibliography

Hegarty, Melinda, ‘Laurentian Patronage in the Palazzo Vecchio: The Frescoes of the Sala dei Gigli’, The Art Bulletin, lvii (1996), 265–85. Hellmann, Mimi, ‘Furniture, Sociability, and the Work of Leisure’, EighteenthCentury Studies, 32 (1999), 415–445. Henisch, Bridget Ann, Fast and Feast: Food in Medieval Society (University Park and London: Pennsylvania State University Press, 1976). Heydenreich, Ludwig H. Review of Bernhard Degenhart, Zur Graphologie der Handzeichnung, in Zeitschrift für Kunstgeschichte, 7 (1938), 167. Heydenreich, Ludwig H., ‘Baluster und Balustrate. Eine “Invention” der toskanischen Frührenaissancearchitektur’, in Friedrich Pied and Jorg Traeger (eds.), Festschrift Wolfgang Braunfels (Tübingen: Wasmuth, 1977), 123–32. Highlights of the Untermyer Collection of English and Continental Decorative Arts (New York: Metropolitan Museum of Art, 1977). Hillgarth, J. N., The Mirror of Spain, 1500–1700: The Formation of a Myth (Ann Arbor: The University of Michigan Press, 2000). Hoffman, Eva R., ‘Pathways of Portability: Islamic and Christian Interchange from the Tenth to the Twelfth Century’, in Eva R. Hoffman (ed.), Blackwell Anthologies in Art History: Late Antique and Medieval Art of the Mediterranean World (Malden and Oxford: Blackwell Publishing, 2007). Holman, Beth L. (ed.), Disegno: Italian Renaissance Designs for the Decorative Arts, exh. cat. (Iowa: Kendall/Hunt Publishing, 1997). Horne, H. L., Alessandro Filipepi, Commonly Called Sandro Botticelli (London: 1908). Howard, Deborah, Jacopo Sansovino: Architecture & Patronage in Renaissance Venice (New Haven and London: Yale University Press, 1975). Howe, Eunice D., Art and Culture at the Sistine Court: Platina’s Life of Sixtus and the Frescoes of the Hospital of Santo Spirito (Vatican City: Biblioteca Apostolica Vaticana, 2005). Huelsen, Cristiano (ed.), Il libro di Giuliano da Sangallo: codice vaticano Barberiniano latino 4424 reprodotto in fototipia (Lipsia: O. Harrassowitz, 1910). Husband, Timothy, The Wild Man (New York: Metropolitan Museum of Art, 1980). Husband, Timothy and Hayward, Jane, The Secular Spirit. Life and Art at the End of the Middle Ages, exh. cat. (New York: Metropolitan Museum of Art, Dutton, 1975). Huschenbett, Dietrich, ‘Die Frau mit dem Apfel und Frau Venus im Moriskentanz und Fastnachtspiel’, in Volkskultur und Geschichte. Festgabe für Josef Dünninger zum 65 Geburtstag (Berlin: E. Schmidt, 1970), 585–603. Iacopi, Irene, Domus Aurea (Milan: Electa, 2001). Illustrated Catalogue of a Collection of Ancient Cutlery Lent by M. Achille Jubinal to the South Kensington Museum (London: George E. Eyre and William Spottiswoode, 1874).

Bibliography

197

Jackson, Philippa, ‘The Patronage of Pandolfo the Magnificent’, in Luke Syson, Alessandro Angelini, Philippa Jackson, Fabrizio Nevola, Carol Plazzotta with contributions from Hugo Chapman, Simona di Nepi, Gabriele Fattorini, Xavier F. Salomon and Jennifer Sliwka, Renaissance Siena Art for a City (London: National Gallery Company, 2007), 61–73. Jacob, P. L. (ed.), Les Cent Nouvelles Nouvelles (Paris: Delahays, 1858). Jacobus, Laura, ‘Gesture and Decorum in Early Fourteenth-Century Italian Art’, in Francis Ames Lewis and Anka Bednarek (eds.), Decorum in Renaissance Narrative Art (London: Birkbeck College, 1992), 24– 34. Joannides, Paul, ‘Michelangelo, Filippino Lippi and the Half-Baluster’, The Burlington Magazine, 123, no. 936 (March 1981), 153–4. Johns, Jeremy, Arabic Administration in Norman Sicily: the Royal Diwãn (Cambridge: Cambridge University Press, 2002). Johns, Jeremy, ‘The Date of the Ceiling of the Cappella Palatina in Palermo’, in Ernst J. Grube, and Jeremy Johns, The Painted Ceilings of the Cappella Palatina, Supplement I to Islamic Art (Genova: Bruschettini Foundation for Islamic and Asian Art, 2005), 7. Jopek, Norbert, ‘Kleinbildwerke des Syrlin-Erhart Kreises: Neue Perspektiven’, in Michel Erhart & Jörg Syrlin, Spätgotik in Ulm, exh. cat. (Ulm: Ulmer Museen, 2002a), 154–61. Jopek, Norbert, German Sculpture 1430–1540: A Catalogue of the Collection in the Victoria and Albert Museum (London: V&A Publications, 2002b). Jordan, William B. and Cherry, Peter, Spanish Still Life from Velázquez to Goya, exh. cat. (London: National Gallery, 1995). Kecks, Ronald G., Domenico Ghirlandaio (Florence: Quattrone, 1998). Kecks, Ronald G., Domenico Ghirlandaio und die Malerei der Florentiner Renaissance (Munich and Berlin: Deutscher Kunstverlag, 2000). Keen, Maurice, Chivalry (New Haven and London, CT: Yale University Press, 1984). Keller, Kurt, Das messer- und schwerterherstellende Gewerbe in Nürnberg von den Anfängen bis zum Ende der reichsstädtischen Zeit (Nuremberg: Schriftenreihe des Stadtarchivs Nürnberg, 1981). Kemp, P. (ed.), The Oxford Companion to Ships and Sea (Oxford: Oxford University Press, 1976). Kent, Dale, ‘The Dynamic Power in Cosimo de’ Medici’s Florence’, in F. W. Kent, P. Simons, and J. C. Eade (eds.), Patronage, Art and Society in Renaissance Italy (Oxford: Clarendon Press, 1987), 63–77. Kent, Dale, ‘The Buonomini di San Martini: Charity “for the glory of God, the honour of the city, and the commemoration of myself” ’, in Francis Ames Lewis (ed.), Cosimo ‘il Vecchio’ de’ Medici, 1389–1464 (Oxford: Clarendon Press, 1992), 49–67. Kent, Dale, Cosimo de’ Medici and the Florentine Renaissance (New Haven and London: Yale University Press, 2000).

198

Bibliography

Kent, Dale and Kent, F. W., Neighbours and Neighbourhood in Renaissance Florence: The District of the Red Lion in the Fifteenth Century (Locust Valley, NY: J. J. Augustin, 1982). Kent, F. W., ‘Lorenzo di Credi, His Patron Iacopo Bongianni and Savonarola’, The Burlington Magazine, vol.125, no. 966 (September 1983), 538–41. Kent, F. W., Lorenzo de’ Medici and the Art of Magnificence (Baltimore and London: Johns Hopkins University Press, 2004). Ketelsen, Thomas and Neidhardt, Uta (eds.), Das Geheimnis des Jan van Eyck: die frühen niederländischen Zeichnungen und Gemälde in Dresden (Munich: Deutscher Kunstverlag, 2005). Knappett, Carl, Thinking Through Material Culture (Philadelphia: University of Pennsylvania Press, 2005). Koch, Robert, ‘An Ivory Diptych from the Waning Middle Ages’, Record of the Art Museum, Princeton University, 17 (1958): 55–64. Koechlin, Raymond, Les Ivoires Gothiques Français, 3 vols. (Paris: Picard, 1924), Vol. 1, 527; Vol. 2, 468, No. 1318. Kohlhaussen, Heinrich, Minnekästchen im Mittelalter (Berlin: Verlag für Kunstwissenschaft, 1928). Kok, Jan Piet Filedt (ed.), Livelier than Life: The Master of the Amsterdam Cabinet or the Housebook Master, ca. 1470–1500 (Amsterdam: Rijksmuseum, 1985). Korda, Natasha, Shakespeare’s Domestic Economies: Gender and Property in Early Modern England (Philadelphia: University of Pennsylvania Press, 2002). Krohm, Hartmut, ‘Zuschreibungen an Niclaus Gerhaert von Leyden’, in Rainer Kahsnitz and Peter Volk (eds.), Skulptur in Süddeutschland: Festschrift für Alfred Schädler (Munich: Deutscher Kunstverlag, 1998), 109–28. Kube, Alfred Nicolaevich, Italian maiolica XV–XVII (Moscow: Iskusstvo, 1976). La Collection Spitzer: Antiquité. Moyen Age. Renaissance, 6 vols. (Paris: Maison Quantin, 1890–3), Vol. III. Lacroix, Paul, Military and Religious Life in the Middle Ages and at the Period of the Renaissance (London: Chapman and Hall, 1874). Laing, Alastair, The Arts and Living: Lighting (London: V&A, 1982). Lalaing, Antoine de, ‘Primer viaje de Felipe “el Hermoso” ’, in J. García Mercadal, Viajes de Extranjeros por España y Portugal, 3 vols. (Madrid: Aguilar, 1952–1962), Vol. I. Lambert, Carole (ed.), Du manuscrit à la table: essais sur la cuisine au Moyen Âge et répertoire des manuscrits médiévaux contenant des recettes culinaires (Montreal and Paris: Presses de l’Université de Montréal/Champion-Slatkine, 1992). Landau, David and Parshall, Peter, The Renaissance Print: 1470–1550 (New Haven and London: Yale University Press, 1994). Lasson, Orlado di, The Complete Motets 20, ed. David Cook, Recent Researches in the Music of the Renaissance, CXLVII (Madison: A-R Editions, 2006). Laurioux, Bruno, ‘Spices in the Medieval Diet: A New Approach’, Food and Foodways 1 (1985), 43–76.

Bibliography

199

Laurioux, Bruno, ‘Modes culinaires et mutations du goût à la fin du Moyen Âge’, in Artes mechanicae en Europe médiévale: Actes du colloque du 15 octobre 1987, ed. R. Jansen-Sieben, Archives et bibliothèques de Belgique, numéro spécial, 34 (Brussels: Archives et bibliothèques de Belgique, 1989a), 199– 222. Laurioux, Bruno, Le Moyen Âge à table (Paris: Adam Biro, 1989b). Laurioux, Bruno, ‘Table et hiérarchie sociale à la fin du Moyen Âge’, in Carole Lambert (ed.), Du manuscrit à la table (Montreal and Paris: Presses de l’Université de Montréal/Champion-Slatkine, 1992), 87–107. Layard, Austen Henry, The Frescoes by Bern: Pinturicchio, in the Collegiate Church of S. Maria Maggiore, at Spello (London: printed for the Arundel Society, 1858). Le Maistre, Mattheus, Schöne und auserlesene deutsche und lateinische geistliche Gesenge, ed. Donald Gresch, Recent Researches in the Music of the Renaissance, XXXIX (Madison: A-R Editions, 1982). Lee, Egmont, Sixtus IV and Men of Letters (Rome: Edizioni di storia e letturatura, 1978). Lee, Sophia, The Worshipful Company of Vintners: A Catalogue of Plate (London: The Worshipful Company of Vintners, 1996). Lehrs, Max, Geschichte und kritischer Katalog des deutschen, niederländischen und franzözischen Kupferstichs im XV Jahrhundert, 9 vols. (Vienna: Gesellschaft für vielfältigende Kunst, 1908–34). Leland, John, De Rebus Brittanica Collectanea, 6 vols. (London, 1744), Vol. 4. Leman, Henri, La collection Foulc. Objets d’art du moyen âge et de la renaissance (Paris: Les Beaux-Arts, 1927). Lewis André, J., ‘Notes on Religious and Other Inscriptions Occurring on Ancient Domestic Buildings, Furniture, Jewellery, etc.’, The Reliquary, 20 (1879–80), 75–80. Llorens, Jordi, Plats i pots de cerámica catalana: segles XV al XVIII (Barcelona: The author, 1977). Lo Basso, L., Uomini da remo: Galee e galeotti del Mediterraneo in eta moderna (Milan: Selene Edizioni, 2003). Lochner, G. W. K. (ed.), Des Johann Neudörfer, Schreib- und Rechenmeisters zu Nürnberg, Nachrichten von Künstlern und Werkleuten (Vienna, 1875). Longhurst, Margaret H., Catalogue of Carvings in Ivory. Victoria and Albert Museum, Department of Architecture and Sculpture, 2 vols. (London: Board of Education, 1927–9), Vol. 2. Lorenzetti, Roberto (ed.), La Moresca nell’area mediterranea (Sala Bolognese: Arnaldo Forni, 1991). Lowe, K. J. P., Church and Politics in Renaissance Italy: The Life and Career of Cardinal Francesco Soderini (Cambridge: Cambridge University Press, 1993). Luccarelli, Mario, ‘Contributo alla conoscenza della maiolica Senese: Il Pavimento della Cappella Bichi in S. Agostino’, Faenza, 69 (1983), 197–8.

200

Bibliography

Luccarelli, Mario, ‘Contributo alla conoscenza della maiolica senese: Il pavimento dell’oratorio di santa Caterina’, Faenza, 81 (1995), 54–5. Luchini, A. M., La nuova regia su l’acque nel Bucintoro nuovamente eretto (Venice, 1729). Luchs, Alison, ‘Documents on the Sangallo Family at Santa Maria Maddalena dei Pazzi’, The Burlington Magazine, vol. 117, no. 870 (September 1975), 597. Luna, J. de, ‘Diáglogo octavo’, Dialogos Familiares (Paris: Miguel Daniel, 1619); repr. in Refranero General Español, ed. José María Sbarbi, 10 vols. (Madrid: A. Gómez Fuentenebro, 1874–1878), Vol. I, 225. Luchs, Alison, Cestello: A Cistercian Church of the Florentine Renaissance (New York: Garland, 1977). Luporini, Eugenio, ‘Battista Pandolfini e Benedetto da Rovezzano nella Badia fiorentina. Documenti per la datazione’, Prospettiva, 33/36 (1983/84), 112– 23. Luzzatini, Michele, ‘Filippo de’ Medici Arcivescovo di Pisa e la vista pastorale del 1462–1463’, Bolletino storico pisani, xxxiii–xxxv (1964–66). Machilek, Franz, ‘Die Erschliessung der Nürnberger archivalischen Quellen zum Leben und zu den Werken des Veit Stoss’, in Jörg Rassmussen (ed.), Veit Stoss: Die Vorträge des Nürnberger Symposions (Munich: Deutscher Kunstverlag, 1985), 19–30. Maddox, Sara Sturm, Lorenzo de’ Medici (New York: Twayne, 1974). Maïer, Ida, Ange Politien: La formation d’un poete humaniste, 1469–1480 (Geneva: Droz, 1966). Mallet, J. V. G.,‘Italian Maiolica in the Gambier-Parry Collection’, The Burlington Magazine, vol. 109, no. 768 (March 1967), 144–51. Mallet, J. V. G., Catalogue of Italian Maiolica (London: HMSO, 1977). Mann, James, Wallace Collection Catalogues. European Arms and Armour, 2 vols. (London: William Clowes and Sons, 1962). Mantuano, Pedro, Casamientos de España y Francia y Viaje del Duque de Lerma (Madrid, 1618). Marche, de le Olivier, Mémoires, eds. Henri Beaune and J. D’Arbaumont, 4 vols. (Paris: Librairie Renouard, 1883–8), Vol. 4. Marchini, Giuseppe, ‘Aggiunte a Giuliano da Sangallo’, Commentari, 1 (1950), 34–8. Mariacher, G., Antichi lampadari vitrei veneziani. Dal Rinascimento agli inizi dell’età moderna (Venice: Edizioni della Fortuna, 1957). Mariacher, Giovanni, Lampade e Lampadari in Italia dal quattrocento all’ottocento (Milan: Garzanti, 1981). Marini, Giorgio, Marini, Paola, and Rossi, Francesca (eds.), Paolo Farinati, 1524–1606, Dipinti, incisioni e disegni per l’architettura, exh. cat. (Venice: Marsilio, 2005). Markschiess, Alexander, ‘Un miracolo di legno- Der Rochus des Janni Francese’, in Norbert Nussbaum, Claudia Euskirchen and Stefan Hoppe

Bibliography

201

(eds.), Wege zur Renaissance – Beobachtungen zu den Anfängen neuzeitlicher Kunstauffassung (Cologne: SH Verlag, 2003), 341–464. Marquand, Allan, Andrea della Robbia and his Atelier, 2 vols. (Princeton, NJ: Princeton University Press, 1922), Vol. 1. Marquardt, Klaus and Haedeke, Ulrich, Eight Centuries of European Knives, Forks and Spoons (Stuttgart: Arnoldsche, 1997). Martin, Henry, Le Térence des Ducs (Paris: Plon-Nourrit, 1907). Martínez Montiño, Francisco, Arte de Cozina, Pasteleria, Vizcocheria y Conserueria (Alcalá: 1637). Mayer Brown, Howard, ‘A Cook’s Tour of Ferrara in 1529’, Rivista italiana di musicologia, 10 (1975), 216–41. McAndrew, John, Venetian Architecture of the Early Renaissance (Cambridge, MA: MIT Press, 1980). McLean, Paul D., The Art of the Network: Strategic Interaction and Patronage in Renaissance Florence (Durham NC and London: Duke University Press, 2007). Meijer, Bert W. (ed.), Firenze e gli antichi Paesi Bassi, 1430–1530: dialoghi tra artisti: da Jan van Eyck a Ghirlandaio, da Memling a Raffaello (Livorno: Sillabe, 2008). Meiss, Millard, French Painting in the Time of Jean de Berry: The Boucicaut Master (New York and London: Phaidon, 1968). Meiss, Millard, French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries (New York and London: Thames and Hudson, 1974). Menjot, Denis (ed.), Manger et boire au Moyen Âge: actes du colloque de Nice, 15–17 octobre 1982, 2 vols. (Paris: Belles Lettres, 1984). Meoni, Lucia, San Felice in Piazza a Firenze (Florence: Edifir, 1993). Merlini, Elena, ‘La “Bottega degli Embriachi” e i cofaneti eburnei fra Trecento e Quattrocento: una proposta di classificazione’, Arte Cristiana 76 (1988), 267–82. Mesas Reais Europeias Royal and Princely Tables of Europe [Actas do Simpósio Internacional, Museu de Arte Antiga, Lisboa, 1996] (Lisbon: Instituto Português de Museus, 1999). Messina, M., Il Castello di San Giusto a Trieste (Trieste: Rotary Club Trieste, 2007). Messisbugo, Cristoforo, Banchetti composizione di vivande e apparecchio generale (Ferrara: Buglhat and Hucher, 1549). Miller, Elizabeth, Sixteenth-Century Italian Ornament Prints in the Victoria and Albert Museum (London: V&A Publications, 1999). Mitchell, David, ‘The Clerk’s View’, in Peter Brown (ed.), British Cutlery. An Illustrated History of Design, Evolution and Use (London: Philip Wilson, 2001), 19–29. Montagu, Jennifer, An Index of Emblems of the Italian Academies Based on Michele Maylender’s ‘Storie delle accademie d’Italia’ (London: Warburg Institute, 1988).

202

Bibliography

Montaigne, Michel de, Journal de Voyage, ed. F. Rigolot (Paris: Presses Universitaires de France, 1992). Montanari, Massimo, The Culture of Food, trans. Carl Ipsen (Oxford: Blackwell, 1994). Morel-Fatio, Alfred, L’Espagne au XVIe et au XVIIe siècle: documents historiques et littéraires (Paris and Madrid: Heilbronn, 1878). Morello, Giovanni, ‘La Biblioteca Apostolica’, in Carlo Pietrangeli (ed.), Il Palazzo Apostolico Vaticano (Florence: Nardini, 1992), 197–8. Morselli, Piero, ‘Piero di Giovanni della Bella e la sua bottega alla Certosa del Galluzzo’, Antichità viva, 16, No. 6 (1977), 32–5. Motture, Peta and Syson, Luke, ‘Art in the Casa’, in Marta Ajmar-Wollheim and Flora Dennis (eds.), At Home in Renaissance Italy, exh. cat. (London: Victoria and Albert Museum, 2006), 268–83. Mozzati, Tommaso, Giovanfrancesco Rustici. Le compagnie del Paiuolo e della Cazzuola (Florence: Olschki, 2008). M. S. R., ‘The Domestic History of England’, The Englishwoman’s Domestic Magazine, 2 (1861), 121–30. Muir, Edward, Civic Ritual in Renaissance Venice (Princeton, NJ: Princeton University Press, 1981). Muir, Lynette R., The Biblical Drama of Medieval Europe (Cambridge: Cambridge University Press, 1995). Müller-Meiningen, Johanna, Die Moriskentänzer und andere Arbeiten des Erasmus Grasser für das Alte Rathaus in München (Regensburg: Schnell & Steiner, 1998). Muntz, M. Eugene, Les arts à la cour des papes pendant le XV et le XVI siecles, 5 vols. (Paris: Thorin, 1882). Musacchio, Jacqueline Marie, The Art and Ritual of Childbirth in Renaissance Italy (New Haven and London: Yale University Press, 1999). Musacchio, Jacqueline Marie, Art, Marriage and Family in the Florentine Renaissance Palace (New Haven and London: Yale University Press, 2008). Nani Mocenigo, M., Storia della Marina Veneziana da Lepanto alla caduta della Repubblica (Rome: Ministero della Marina, 1935). Nebbia, U., ‘Antichi fanali veneziani’, in Bollettino d’arte del Ministero della Pubblica Istruzione Rivista dei musei gallerie e monumenti d’Italia diretta da Arduino Colasanti, Anno IV, serie II, II (August 1924), 52. Nebrija, Antonio de, Diccionario latino-español [facsimile reprint of the 1492 Salamanca edition] (Barcelona: Puvill-Editor, 1979). Neher, Gabriele and Shepherd, Rupert (eds.), Revaluing Renaissance Art (Aldershot: Ashgate, 2000). Nesselrath, Arnold, ‘The Painters of Lorenzo the Magnificent in the Chapel of Pope Sixtus IV in Rome’, in Francesco Buranelli and Allen Duston (eds.), The Fifteenth-Century Frescoes in the Sistine Chapel (Vatican City: Musei Vaticani, 2003), 39–75.

Bibliography

203

Nevola, Fabrizio, Siena Constructing the Renaissance City (New Haven and London: Yale University Press, 2007). Newbery, Timothy J., Bisacca, George and Kanter, Laurence B., Italian Renaissance Frames (New York: Metropolitan Museum of Art, 1990). Newton, Stella Mary, Renaissance Theatre Costume and the Sense of the Historic Past (London: Rapp & Whiting, 1975). Nichols, J., Illustrations of the Manners and Expences of Antient Times in England [. . .] (London, 1797). Nicol, E. J., ‘Some Notes on the History of the Betley Window’, Journal of the English Folk Dance and Song Society, 7, No. 2 (1953), 59–67. Nocilli, Cecilia, ‘La “Presa di Granata” e “Il Triunfo de la Fama”. Danza, musica e politica nelle farse di Sannazaro’, in Danielle Boillet and Alessandro Pontremoli (eds.), Il Mito d’Arcadia. Pastori e Amori nelle arti del rinascimento. Atti del Convegno internazionale di studi, Torino 14–15 Marzo 2005 (Florence: Olschki, 2007), 167–88. Nola, Ruperto de, Libro de guisados, manjares y potajes intitulado libro de cozina (Logroño: Miguel de Eguía, 1529; facsimile repr. Madrid: Espasa-Calpe, 1971). North, Anthony and Spira, Andrew, Pewter at the Victoria and Albert Museum (London: V&A Publications, 1999). Nuttall, Paula, ‘Domenico Ghirlandaio and Northern Art’, Apollo cxliii (1996), 17. Nuttall, Paula, From Flanders to Florence, The Impact of Netherlandish Painting, 1400–1500 (New Haven and London: Yale University Press, 2004). Nuttall, Paula, ‘The Bargello Gamesboard. A North-South Hybrid’. The Burlington Magaziine (CLII, 2010), 716–22. O’Malley, Michelle, ‘Altarpieces and Agency: The Altarpiece of the Society of the Purification and its “Invisible Skein of Relations”’, Art History 28, No. 4 (2005) 417–441. O’Malley, Michelle, ‘Perugino and the Contingency of Value’, in Michelle O’Malley and Evelyn Welch (eds.), The Material Renaissance (Manchester: Manchester University Press, 2007), 106–30. O’Malley, Michelle, ‘Quality and the Pressures of Reputation: Rethinking Perugino’, Art Bulletin, 89 (2007), 674–93. O’Malley, Michelle and Welch, Evelyn (eds.), The Material Renaissance (Manchester: Manchester University Press, 2007). O’Shea, Henry, The Galleries of the Louvre: A Concise Guide and Critical Catalogue (Paris: The Galignani Library, 1874). Oberhammer, Vinzenz, Das Goldene Dachl zu Innsbruck (Innsbruck: Tyrolia, 1970). Olesa Muñido, Francisco-Felipe, La galera en la navegacion y el combate (Madrid: Junta Ejecutiva del IV Centenario de la Batalla de Lepanto, 1971), I. Oman, Charles, The Golden Age of Hispanic Silver, 1400–1665 (London: HMSO, 1968).

204

Bibliography

Orbe y Sivatte, Asunción, ‘Plata doméstica española del siglo de los Austrias menores’, Archivo Español de Arte, 299 (2002), 309–15. Ovdin, César, Tesoro de las dos Lengvas Francesa y Española (Paris: Marc Orry, 1607). Paatz, Walter and Paatz, Elisabeth, Die Kirchen von Florenz: Ein kunstgeschichtliches Handbuch, 6 vols. (Frankfurt am Main: Vittorio Klostermann, 1940–1954). Pabst, Arthur, Die Kunstsammlungen des Herrn Richard Zschille in Grossenhain. II Besteck-Sammlung (Berlin: s.n., 1887). Padiglione, Carlo, I motti delle famiglie italiane (Naples: F. Giannini & Figli, 1910; repr. Bologna: Forni, 1972). Padoan Urban, L., ‘Il Bucintoro secentesco e gli scultori Marcantonio ed Agostino Vanini’, Arte Veneta, XXI (1967), 231–6. Padoan Urban, L., Il Bucintoro (Venice: Centro Internazionale della Grafica, 1988). Pagé, Camille, La coutellerie depuis l’origine jusqu’a nos jours, 7 vols. (Paris: Chatelleraut, Impr. H. Riviere, 1896–1905). Palumbo-Fossati, Isabella, ‘L’interno della casa dell’artigiano e dell’artista nella Venezia del Cinquecento’, Studi veneziani VII (1984) 109–53. Pantera, P., Armata Navale (Rome, 1614). Parks, N. Randolph, ‘On the Meaning of Pinturicchio’s Sala dei Santi’, Art History, 2, (1979), 291–317. Pastor, Ludwig, The History of the Popes, From the Close of the Middle Ages, 8 vols. (London: Kegan Paul, 1900). Patterson, Angus, Fashion and Armour in Renaissance Europe. Proud Lookes and Brave Attire (London: V&A Publishing, 2009). Penny, Nicholas, ‘The Study and Imitation of Old Picture-Frames’, The Burlington Magazine, vol. 140, no. 1143 (June 1998), 378–9. Pertusi, Agostino et al., Civiltà della tavola dal medioevo al rinascimento (Vicenza: Neri Pozza, 1984). Pevernage, André, Chansons . . . Livre premier (Antwerp, 1591), ed. Gerald Hoekstra, Recent Researches in the Music of the Renaissance, LX (Madison: A-R Editions, 1983), 68–75. Peyrusse, Louis, ‘Les Collectionneurs’, Toulouse et l’art medieval de 1830 à 1870 (Toulouse: Musée des Augustins, 1982), 77. Piccolpasso, Cipriano, trans. Ronald Lightbown and Alan Caiger-Smith, I tre libri dell’arte del vasaio, 2 vols. (London: Scolar Press, 1980). Picotti, La giovinezza del futuro Leone X (Milan: Hoepli, 1928). Pirozynki, Jan, ‘Die Krakauer Universität in der Renaissance’, Pirckheimer Jahrbuch für Renaissance und Humanismusforschung, 12 (1997), 13–38. Pisani, Linda, Francesco di Simone Ferrucci: Itinerari di uno scultore fiorentino fra Toscana, Romagna e Montefeltro (Florence: Olschki, 2007). Plazzotta, Carol, et al., ‘Perugino’s Virgin and Child with Saints Jerome and Francis for Santa Maria dei Servi, Perugia’, National Gallery Technical Bulletin 27 (2006), 72–95.

Bibliography

205

Pleguezuelo, Alfonso (ed.), Lozas y azulejos de la colección Carranza, 2 vols. (Albacete: Junta de Comunidades de Castilla-La Mancha, 2002). Poliziano, Angelo, Detti piacevoli, ed. Tiziano Zanato (Rome: Istituto della Enciclopedia Italiana, 1983). Polizzotto, Lorenzo, ‘The Medici and the Youth Confraternity of the Purification of the Virgin’, in Nicholas Terpstra (ed.), The Politics and Ritual of Kinship: Confraternities and Social Order in Early Modern Italy (Cambridge: Cambridge University Press, 2000), 98–113. Pollen, J. H., Ancient and Modern Furniture & Woodwork in the South Kensington Museum (London: Chapman and Hall, 1874). Pontremoli, Alessandro and La Rocca, Patrizia, Il ballare Lombardo: Teoria e prassi coreutica nella festa di corte del XV secolo (Milan: Vita e Pensiero, 1987). Poole, Julia E., Italian Maiolica and Incised Slipware in the Fitzwilliam Museum, Cambridge (Cambridge: Cambridge University Press, 1995). Pope-Hennessy, John, assisted by Ronald Lightbown, Catalogue of Italian Sculpture in the Victoria and Albert Museum, 3 vols. (London: Her Majesty’s Stationery Office, 1964). Porter, Venetia, Islamic Tiles (London: The British Museum Press, 1995; repr. 2005). Preyer, Brenda, ‘The Rucellai Palace’, in Giovanni Rucellai ed il suo Zibaldone, 2 vols. (London: Warburg Institute, 1960–1981). Prunières, Henry, Le ballet de cour en France avant Benserade et Lully (Paris: H. Laurens, 1914). Quinterio, Francesco, Maiolica nell’ architettura del Rinascimento italiano (Florence: Cantini, 1992). Radzikowski, Piotr and Radzikowska, Danuta (eds.), Reisebeschreibung Niclas von Popplau Ritters, Bürtig von Breslau, Prace Instytutu Historii Wyz˙ezj Szkoły Pedagogicznej w Kielcach, 8 (Krakow: Trans-Krak, 1998). Randall, Richard H., Masterpieces of Ivory from the Walters Art Gallery (New York: Hudson Hills Press, 1985). Randall, Richard H., The Golden Age of Ivory: Gothic Carvings in North American Collections (New York: Hudson Hills Press, 1993). Rasmussen, Jörg, ‘Zum kleinplastischen Werk des Veit Stoss’, Pantheon, XXXIV (1976), 108–14. Rasmussen, Jörg, Italienische Majolica (Hamburg: Museum für Kunst und Gewerbe, 1984). Redig de Campos, Deoclecio, I Palazzi Vaticani (Bologna: Licinio, 1967). Reto, Niggl, Giacomo Grimaldi, Descrizione della basilica antica di S. Pietro in Vaticano: Codice Barberini Latino 2733 (Vatican City: Biblioteca Apostoloca Vaticana, 1972). Richa, Giuseppe, Notizie istoriche delle chiese fiorentine, divise ne’ suoi quartieri, 10 vols. (Florence: Pietro Gaetano Viviani, 1754–1762).

206

Bibliography

Rizzo, Anna Padoa, ‘Cosimo e Bernardo Rosselli per la Compagnia di Sant’Andrea dei Purgatori a Firenze’, Studi di storia dell’arte, 2 (1991) 265– 270. Rizzo, Anna Padoa, ‘Cosimo and Bernardo Rosselli’s work for Lay Confraternities’, in Arthur R. Blumenthal (ed.), Cosimo Rosselli: Painter of the Sistine Chapel (Winter Park, FL: Rollins College, 2001) 61–73. Robinson, J. C., Catalogue of the Soulages Collection: being a descriptive inventory of a collection of works of decorative art, formerly in the possession of M. Jules Soulages of Toulouse; now, by permission of the Committee of Privy Council for Trade, exhibited to the public at the Museum of Ornamental Art, Marlborough House (London: Chapman & Hall, 1856). Robinson, J. C. (ed.), Inventory of the Objects Forming the Collection of the Museum of Ornamental Art at South Kensington (London: printed by George E. Eyre & William Spottiswoode for HMSO, 1860). Rocchi, Giuseppe, ‘Contrassegni di lapicidi sulle pietre dei palazzi rinascimentali di Firenze’, Ricerche di Storia dell’arte: rilievi, disegni, indagini per la conoscenza dell’architettura, 27 (1986), 73–80. Romoli, Domenico, La singolar dottrina (Venice: Lucio Spineda, 1560). Rosani, S., ‘La segnalazione marittima attraversoi secoli’, Bollettino dell’Ufficio Storico della Marina Militare (Rome, 1949) 17, 20. Rosenberg, Marc, Der Goldschmiede Merkzeichen, 4 vols. (Frankfurt: Frankfurter Verlags-Anstalt A-G., 1922–8). Rothmann, Michael, Die Frankfurter Messe im Mittelalter (Stuttgart: Franz Sreiner Verlag, 1998). Rothschild, Baron Ferdinand, Bric-a-Brac, reproduced in Apollo (July–August, 2007), 50–77. Rubin, Patricia Lee. Images and Identity in Fifteenth-century Florence (New Haven and London: Yale University Press, 2007). Rubinstein, Nicolai, ‘Il “De optimo cive” del Platina’, in Augusto Campana and Paola Medioli Masotti, Bartolomeo Sacchi, il Platina (Padua: Antenore, 1986) 137–44. Rubinstein, Nicolai, The Government of Florence under the Medici, 1434–1492 (Oxford: Clarendon Press, 1968). Rubinstein, Nicolai, ‘The De optimo cive and the De Principe by Bartolomeo Platina’, in Roberto Cardini, et al. (eds.), Tradizione classica e letteratura umanistica per Alessandro Perosa (Rome: Bulzoni, 1985). Rubinstein, Nicolai, The Palazzo Vecchio, 1298–1532 (Oxford: Clarendon Press, 1995). Ruysschaert, Joséx, ‘Platina e l’aménagement des locaux de la Vaticane sous Sixte IV (1471–1475–1481)’, in Augusto Campana and Paola Medioli Masotti, Bartolomeo Sacchi, Il Platina (Padua: Antenore, 1986) 145– 151. Saalman, Howard, Filippo Brunelleschi: The Cupola of Santa Maria del Fiore (London: A. Zwemmer, 1980).

Bibliography

207

Sabatelli, Franco (ed.), La cornice italiana dal Rinascimento al Neoclassico (Milan: Electa, 1992). Sabatelli, Franco, Colle, Enrico and Zambrano, Patrizia, La cornice italiana dal Rinascimento al Neoclassico (Milan: Electa, 1992). Sachs, Curt, Eine Weltgeschichte des Tanzes (Berlin: Reimer & Vohsen, 1933). Salvatici, Luciano, Posate, pugnali, coltelli da caccia del Museo Nazionale del Bargello (Florence: Museo Nazionale del Bargello/SPES, 1999). Sánchez Cantón, F. J., ‘Inventarios Reales. Bienes Muebles que pertenecieron a Felipe ii’, Archivo Documental Español, 2 vols. (Madrid: Real Academia de la Historia, 1956–1959). Sansovino, Francesco, Venetia città nobilissima et singolare descritta in XIIII libri (Venice, 1581), fol. 142r–142v; translated in Fortini Brown, P., ‘Behind the Walls: The Material Culture of Venetian Elites’, in J. Martin and D. Romano (eds.), Venice Reconsidered (Baltimore, MD, and London: Johns Hopkins University Press, 2000), 296–7. Sanit, Bruno, ‘Giulano da Miano e Neri di Bicci. Due Botteghe quattrocentesche in collaborazione’, in Daniella Lamberini, Marcello Lotti and Roberto Luardi (eds.), Giuliano e la bottega dei da Maiano (Florence: Octavo, 1994), 145–7. Sanvito, Alessandro, Scacchi e tavole da gioco nella collezione Carrand (Florence: SPES, 2000). Sanvito, Alessandro, Charles le Téméraire. Faste et déclin de la cour de Bourgogne (Brussels: Fonds Mercator, 2008). Sassatelli del Turco, Tommaso Rosselli, ‘La chiesetta di San Martino dei Buonomini a Firenze’, Dedalo, viii (1928). Sassoli, Mario Gori, ‘Santa Maria delle Grazie ad Calcinaio’, in Francesca Paolo Fiore and Manfredo Tafuri (eds.), Francesco di Giorgio architetto (Milan: Electa, 1993), 244–51. Sauzay, A., Catalogue du Musée Sauvageot (Paris: C. de Mourgues Frères, 1861). Sauzay, A. and Lièvre, Edouard, Collection Sauvageot (Paris: Noblet et Baudrey, 1863). Scappi, Bartholomeo, Opera (Venice: Michele Tramezzino, 1570). Scarpellini, Pietro, Perugino (Milan: Electa Editrice, 1984). Scarpellini, Pietro and Silvestrelli, Maria Rita, Pintoricchio (Milan: Federico Motta Editore, 2004). Schädler, Alfred, ‘Stetigkeit und Wandel im Werk des Veit Stoss’, in Veit Stoss in Nürnberg, exh. cat. (Nuremberg: Germanisches Nationalmuseum, 1983), 36. Schlosser, Julius von, ‘Die Werkstatt des Embriachi in Venedig’, Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses, 20 (1899), 220– 82. Schmidt, Paul Gerhard (ed.), Humanismus im deutschen Südwesten: Biographische Profile (Sigmaringen, J Thorbecke, 1993).

208

Bibliography

Schnitzler, Hermann, Volbach, Fritz and Bloch, Peter, Sammlung E. und M. Kofler-Truniger, Luzern. Band 1. Skulpturen. Elfenbein, Perlmutter, Stein, Holz. Europäisches Mittelalter (Luzern and Stuttgart: Räber, 1964). Schottmüller, Frieda, Furniture and Interior Decoration of the Italian Renaissance (Stuttgart: J. Hoffmann, 1928). Schrader, J. L., The Waning Middle Ages (Lawrence, KS: University of Kansas Museum of Art, 1969). Schrivelbusch, Wolfgang, Tastes of Paradise: A Social History of Spices, Stimulants, and Intoxicants, trans. David Jacobson (New York: Pantheon Books, 1992). Seelig, Lorenz, ‘Die Stellung der Münchner Kunstkammer Albrechts V. und Wilhelm V. in der Sammlungsgeschichte’, in Die Münchner Kunstkammer, 3 vols. (München: Verlag der Bayerischen Akademie der Wissenschaften, 2008). Shaw, James Byam, Old Master Drawings from Christ Church Oxford: A Loan Exhibition (Washington, DC: International Exhibitions Foundations, 1972). Silván, Leandro, Ceramica Navarra (San Sebastián: Real Sociedad Vascongada de los Amigos del País, 1973). Slim, Colin, ‘Music in Majolica’, Early Music, 12 (1984), 371–3 (reprinted in Slim, C., Painting Music in the Sixteenth Century (Aldershot: Ashgate, 2002)). Smith, Jeffrey Chipps, German Sculpture of the Later Renaissance c. 1520–1580: Art in an Age of Uncertainty (London: Yale University Press, 1994). Snodin, Michael and Howard, Maurice, Ornament: A Social History since 1450 (New Haven and London: Yale University Press, 1996). Southgate, T. Lea and Watson, Arthur, ‘Knives with Music Inscribed’, Musical News (April 30, 1910), 444–8. Spiazzi, Anna Maria, Scultura Lignea Barocca nel Veneto (Milan: Banca Cariverona, 1997). Spicciani, Amleto, ‘The “Poveri vergognosi” in 15th century Florence’, in Thomas Riis (ed.), Aspects of Poverty in Early Modern Europe (Alphen aan den Rijn: Sijthoff, 1981). Sprague Smith, Carleton, ‘Table Blessings set to Music’, in Gustave Rees and Rose Brandel (eds.), The Commonwealth of Music (New York: Free Press, 1965). Stuard, Susan Mosher, Gilding the Market, Luxury and Fashion in FourteenthCentury Italy (Philadelphia: University of Pennsylvania Press, 2006). Syson, Luke, ‘Representing Domestic Interiors’, in Marta Ajmar-Wollheim and Flora Dennis (eds.), At Home in Renaissance Italy (London: V&A Publications, 2006), 86–101. Syson, Luke and Thornton, Dora, Objects of Virtue: Art in Renaissance Italy (London: Yale University Press, 2001). Tait, Hugh, Catalogue of the Waddesdon Bequest in the British Museum, Vol. II: The Silver Plate (London: British Museum, 1988).

Bibliography

209

Taylor, Francis Henry and Mather, Frank Jewett Jr., ‘The Collection of Edmond Foulc’, Parnassus, 2 (1930), 8–10. Tebbe, Karin, Timann, Ursula and Eser, Thomas et al., Nürnberger Goldschmiedekunst 1541–1868, 2 vols. (Nuremberg: Verlag des Germanischen Nationalmuseums, 2007). Tenenti, Alberto, Cristoforo da Canal. La marine Vénitienne avant Lépante (Paris: Ecole Pratique des Hautes Etudes, 1962). Thiébaux, Marcelle, The Stag of Love: The Chase inMedieval Literature (Ithaca, NY: Cornell University Press, 1974). Thornton, Dora, The Scholar in His Study: Ownership and Experience in Renaissance Italy (New Haven and London: Yale University Press, 1998). Thornton, Dora and Wilson, Timothy, Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, 2 vols. (London: British Museum Press, 2009). Thornton, Peter, Form and Decoration in the Decorative Arts 1470–1870 (London: Weidenfield and Nicolson, 1998). Tlusty, B. Ann, Bacchus and Civic Order: The Culture of Drink in Early Modern Germany (Charlottesville and London: University Press of Virginia, 2001). Tomasi, Michele, ‘Baldassare Ubriachi. Le mâitre, le public’, Revue de l’Art, 134, No.4 (2001a), 51–60. Tomasi, Michele, La Bottega degli Embriachi (Florence, Museo Nazionale del Bargello, 2001). Tomasi, Michele, ‘Miti antichi e riti nuziali: sull’ iconografia e la funzione dei cofaneti degli Embriachi’, Iconografica SPES 2 (2003), 126–45. Toschi, Paolo, Le Origini del teatro italiano (Turin: Einaudi, 1955). Townsend, Eleanor, Death and Art: Europe 1200–1530 (London: V&A Publishing, 2009). Trigt, Jan van, Cutlery, From Gothic to Art Deco: The J. Hollander Collection (Antwerp: Pandora, 2003). Tronzo, William, The Cultures of His Kingdom: Roger II and the Cappella Palatina in Palermo (Princeton, NJ: Princeton University Press, 1997). Trusted, Marjorie, Catalogue of European Ambers in the Victoria and Albert Museum (London: V&A Publications, 1985). Turner, Jack, ‘Introduction’, in Spice: The History of a Temptation (London: HarperCollins, 2005). Ulewicz, Tadeusz, ‘Literarische Kreise und Gesellschaften’, in Pirckheimer Jahrbuch für Renaissance und Humanismusforschung, 12, Der polnische Humanismus und die europäischen Sodalitäten (Weisbaden: Harrassowitz, 1997), 39–72. ‘Un couteau du seizième siècle’, Magasin pittoresque, 9 (1841), 312. Urbani de Gheltof, G. M., L’intaglio del legno a Venezia nel Medioevo e nel Rinascimento (Venice: nozze Visinoni-Ancillotto, 1883), 25. V&A (1165–1864), Masterpieces of Cutlery and the Art of Eating: An Exhibition Organized by the Victoria and Albert Museum in Conjunction with the Worshipful Company of Cutlers of London (London: V&A Publications, 1979).

210

Bibliography

van Puyvelde, Leo, The Dutch Drawings in the Collection of His Majesty the King at Windsor Castle (London: Phaidon Press, 1944). Vandenbroeck, Paul, De kleuren van de geest. Dans en trance in Afro European tradities (Ghent, Snoeck-Ducaju & Zoon, Ghent 1997). Varoli-Piazza, Rosalia (ed.), Il Paliotto di Sisto IV ad Assisi (Assisi: Casa Editrice Francescana, 1991). Vasari, Giorgio, Le vite de più eccellenti pittori, scultori ed architettori, 9 vols., ed. Gaetano Milanesi (Florence: Sansoni, 1878–85). Vasari, Giorgio, Le vite de’ più eccellenti pittori, scultori e architettori: nelle redazioni del 1550 e 1568, ed. Paola Barocchi and Rosanna Bettarini, 6 vols. (Florence: Sansoni, 1966–87). Vatovec, Corinna Vasic, ‘Giuliano da Maiano capomaestro a Santa Maria del Fiore’, in Daniella Lamberini, Marcello Lotti and Roberto Lunardi (eds.), Giuliano e la bottega dei da Maiano (Florence: Octavo, 1994), 67–8. Vázquez, Luis Cortés, Ad Summum Caeli: el programma alegorico humanista de la Escalera de la Universidad de Salamanca (Salamanca: Ediciones de la Universidad de Salamanca Press, 1984). Venturini, Lisa, Francesco Botticini (Florence: Edifir, 1994). Vera, Luis Cervera, Bienes muebles en el Palacio Ducal de Lerma (Madrid: Castalia, 1967). Villena, Enrique de, Arte cisoria, in Obras completas, ed. Pedro M. Cátedra, 3 vols. (Madrid: Turner Libos (Madrid), 1994–2000), 131–218. Vöge, Wilhelm, Jörg Syrlin der Ältere und seine Bildwerke, 2 vols. (Berlin: Deutscher Verein für Kunstwissenschaft, 1950). von Schlosser, Julius, ‘Die Werkstatt des Embriachi in Venedig’, Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses, 20 (1899), 220– 82. Wainwright, Clive, ‘Models of Inspiration’, Country Life, June 9 1988, 266–7. Wainwright, Clive, The Romantic Interior (New Haven and London: Yale University Press, 1989). Wainwright, Clive, in Mark Jones (ed.), Fake? The Art of Deception (London: British Museum Publications, 1990), cat. 218, 207. Waldman, Louis A., ‘Botticelli and his Patrons: The Arte del Cambio, the Vespucci, and the Compagnia dello Santo Spirito in Montelupo’, in Rab Hatfield (ed.), Sandro Botticelli and Herbert Horne: New Research (Florence: Syracuse University in Florence, 2009), 105–36. Ward-Jackson, Peter, Italian Drawings, Volume One, 14th–16th Century (London: Victoria and Albert Museum, 1979). Warnke, Martin, The Court Artist, trans. David McLintock (Cambridge: Cambridge University Press, 1993). Welch, Evelyn, Shopping in the Renaissance (New Haven and London: Yale University Press, 2005). Westwood, J. O., A Descriptive Catalogue of the Fictile Ivories in the South Kensington Museum (London: Chapman & Hall, 1876).

Bibliography

211

Wheeler, Jo, with the assistance of Katy Temple, Renaissance Secrets, Recipes & Formulas (London: V&A Publishing, 2009). Wichmann, Hans and Wichmann, Siegfried, Schach. Ursprung und Wandlung der Spielfigur in zwölf Jahrhunderten (Munich: Callwey, 1960). Wiel, A., The Navy of Venice (London: John Murray, 1910). Wiewelhove, Hildegard, Tischbrunnen: Forschungen zur Europäischen Tafelkultur (Berlin: Deutscher Verlag für Kunstwissenschaft, 2002). Willberg-Schuurman, Thea Vignau, Hoofse Minne en burgerlijke liefde in de prentkunst rond 1500 (Leiden: Nijhoff, 1983). Williamson, Paul and Motture, Peta (eds.), Medieval & Renaissance Treasures (London: V&A Publishing, 2007). Wilmering, Antoine M., The Gubbio Studiolo and Its Conservation, II. Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo (New York: The Metropolitan Museum of Art, 1999. Wollin, Nils G., Äggkoppar (Stockholm: Nordiska Museet, 1962). Wolters, Wolfgang, Architektur und Ornament: venezianischer Bauschmuck der Renaissance (Munich: C. H. Beck’sche Verlagsbuchhandlung, 2000). Wood, Jeryldene M., ‘The Early Paintings of Perugino’ (PhD thesis, Virginia, 1985). Wood, Jeryldene M., ‘Breaking the Silence: The Poor Clares and the Visual Arts in Fifteenth-Century Italy’, Renaissance Quarterly 48 (1995), 279–84. Wood, Jeryldene M., Women, Art, and Spirituality: The Poor Clares of Early Modern Italy (Cambridge: University of Cambridge Press, 1996). Wright, Alison, The Pollaiuolo Brothers (New Haven and London: Yale University Press, 2005). Wright, T. and Fairholt, F. W., Miscellanea Graphica: Antiquities in the Possession of Lord Londesborough (London: Chapman and Hall, 1857). Yalom, Marilyn, Birth of the Chess Queen (London: Pandora, 2004). Yelgo de Bazquez, Miguel, Estilo de servir a principes, con exemplos morales para servir a Dios (Madrid: Cosme Delgado, 1614). Zambrano, Patrizia and Nelson, Jonathan Katz, Filippino Lippi (Milano: Electa, 2004). Zamperini, Alessandra, Ornament and the Grotesque: Fantastical Decoration from Antiquity to Art Nouveau (London: Thames and Hudson, 2008). Zeri, Federico with the assistance of Elizabeth E. Gardner, Italian Paintings: Sienese and Central Italian Schools: A Catalogue of the Collection of the Metropolitan Museum of Art (New York: Metropolitan Museum, 1980). Zimmermann, Eva, ‘Künstlerische Quellen der Kunst des Veit Stoss am Oberrhein’, in Michel Erhart & Jörg Syrlin: Spätgotik in Ulm, exh. cat. (Ulm: Ulmer Museen, 2002), 61–78. Zorzi, M., ‘Introduzione alla mostra’, in Grado, Venezia, I Gradenigo (Mariano del friuli (GO): Edizioni della Laguna, 2001), 21.

Loading...

Bibliography - Wiley Online Library

Bibliography ‘A Collection of 33 maiolica ware painted floor-tiles, from the audience chamber of thePalazzo Petrucci at Siena – Executed in the year 1...

525KB Sizes 10 Downloads 27 Views

Recommend Documents

bibliography - Wiley Online Library
Timber Research and Development Association (2009). Eurocode 5 Span Tables for Solid Timber Members in Floors, Ceilings

Bibliography - Wiley Online Library
Alvi, I. A. Interbank Money Market Operations, 2009, www.iifm.net/media/PDF/presen tation-paper/Interbank-Money.pdf. Alv

Bibliography - Wiley Online Library
[BEA 80] BEARDS C.F., “The control of structural vibration by frictional damping in joints”,. Journal of the ... 4,

Bibliography - Wiley Online Library
for Today,'' Federal Reserve Bank of Saint Louis. Branson, W. H. 1979, Macroeconomic Theory and Policy, Harper &. Row, N

bibliography - Wiley Online Library
The Nature of Theory and Design. Chichester: Ellis Horwood. Addis, W. (Bill), 2002/1. Hooke, Robert. In: A Biographical

Bibliography - Wiley Online Library
pers/doolittle.pdf. Drakard, Jane 1990: A Malay Frontier: Unity and Duality in a Sumatran Kingdom. (Ithaca: Cornell Univ

bibliography on mission studies - Wiley Online Library
DE TEOLOGIA. DE VITORIA Y DEUSTO. Pluralismo socio-cultural y fe cristiana. Con- greso de Teologia Bilbao-Vitoria, 12-16

Athens - Wiley Online Library
analogical models influence of on design of cities, 219 ancient cities, 186. André, Jean Baptiste, 140. Andrea, J.V., 3

ssmiles - Wiley Online Library
(Humidity and Pressure as Part of a Function). Grades 9-12 ... hydrogen and oxygen atoms to form H^O). The formula used

Interview - Wiley Online Library
a book on marijuana. I found the idea both attractive and daunting. The subject was worthy of a book-length exposition,